Credits (in
alphabetical order by artist): Part Two

Roy Kenner/The Royals,
Roy Kenner/The Royals (Freedom) -- 1982;
production, guitar, songwriting
Notes: 12" EP; A-side features 3 songs from Roy Kenner, all written
by Kenner/Troiano; B-side features 3 songs (one written by Troiano)
from the Royals featuring George Olliver and Bobbi DuPont on
vocals

Roy Kenner, "Transparent Love" (single) (Anthem) -- 1980;
production, guitar, songwriting

Kilowatt,
Currents (Dallcorte) -- 1983; production,
guitar, songwriting
Notes: Lead guitar on "Baby
It's You;" background vocals on "Change of Heart" by Troiano,
Wayne St. John, and Johnny Rutledge; "I'm Not a Kid Anymore"
written by Troiano and Bill Wallace; "It's So Easy" written
by Troiano, Wallace, Greg Leskiw, and Steve Hegyi
Kilowatt, Kilowatt (Dallcorte) -- 1982; production
Canada's own .38 Special. Here we have a mini Guess Who
reunion of members that weren't necessarily in the group at
the same time. Bill Wallace plays bass, Greg Leskiw sings
and plays guitar, and Troiano produces. The band offers
up a healthy slab of Canadian rock, mostly lean and
generally tasteful. I always liked Leskiw's contributions
to the Guess Who, so I looked forward to hearing this album
and wasn't disappointed. Although he was the eclectic
country picker in the Guess Who, here his material is
straightforward rock. Although this could have been
a disastrous attempt at rocking out, he is a
smart musician and he never sounds
forced. The opener, "Lovers on the Run," is classic and
catchy as all get out. "No Return" is smooth with pretty
chords; the fair "Kids are Krazy" is greatly enhanced by
great guitar playing and arrangements. Domenic provides
effective production on every track, avoiding fussy
arrangements and letting the songs shine. Imagine him
singing "Loneliness," a track that he co-wrote, and you'll
see that it's very Troiano-esque, a well-crafted ballad that
sounds quite radio ready. Other songs like "What's on Your
Mind," "Forgive Him," and "Streetwise Katie" depend on
good melodies and Leskiw's uncanny knack for vocal hooks
to carry them along. To complete the package, Bill Wallace is
pictured on the back cover looking like an irritated park
ranger. Recommended.

Moe Koffman,
If You Don't Know Me by
Now (Elektra) -- 1982; production, guitar, songwriting
Notes: Moe covers Troiano's "Lonely Girl" and "Zingaro" ("Gypsy" from
Triple Play)
Lambert & Nuttycombe, As You Will (20th Century
Records) -- 1973; guitar
These guys are a lot like Simon & Garfunkel... less
cerebral, but every bit as melodic. They also produce lovely
vocal harmonies effortlessly. Although many of these tracks
feature a full band, the album as a whole retains a low-key,
homegrown charm. The centerpiece is arguably "Oh My Darling,"
an acoustic ballad featuring a cavalcade of stars including
Troiano supplying
some very tasty jazz-tinged lead work. A fine song. Other
highlights include "Sleep," "Way to Your Heart," and the
hallucinative "Waikiki."

Murray McLauchlan,
Storm Warning (Asylum) -- 1981;
guitar
Notes: Electric guitar on "Wouldn't Take Another Chance on
Love," lead guitar on "Desire" and "Stranger"

Eric Mercury, "What's Usual Seems Natr'l" (single) (Enterprise) -- 1972;
guitar

Yvonne Moore, "Hit & Run Lover" (single) (Palais) -- 1984;
guitar
The Partland Brothers, Electric
Honey (Manhattan) -- 1986; guitar
On this album of '80s pop, Domenic is credited with "lead
guitars." Unfortunately, there's only one real solo on the whole
thing. Most of the lead guitar work consists of nondescript
riffs and fills, which is a shame. A few of the songs
could have really benefited from a scorching solo to cut
through all the keyboards and the synthetic textures here.
Melodically, it's a pretty good LP though, reminiscent at
times of
Tango in the Night-era Fleetwood Mac. As
I mentioned, Troiano never really gets the chance to shine,
but he comes close on "Best Love" and "That's the Way it will
Be." He does play a full-blown solo on "Walk With Me," but,
here and elsewhere, he remains pretty controlled. The
standout track is "Soul City," an effectively smooth pop single
that was a radio hit in Canada and the U.S.

Patria,
My Rules (Black Market/EMI) -- 1999;
co-production, guitar, songwriting

Brian Plummer and the Suspects,
Brian Plummer and the Suspects (Duke Street) -- 1985; songwriting

Rainband, "You Can Do It" (single) (Reach For the Rainbow) -- 1983;
guitar

Rockin' Foo,
Rockin' Foo (UNI) -- 1971;
guitar, background vocals
Diana Ross, Ross (Capitol) -- 1983; guitar
Diana is pictured on the front cover of this LP with the
biggest hair you've ever seen. This is, for 5 of the 8
songs, another Gary Katz production. Predictably, it sounds
like Ross is backed by Steely Dan, and as with the other
Katz productions in this list, it's a pretty MOR affair. The
album begins strong with "That's How You Start Over," co-written
by Michael McDonald and featuring some funky guitarwork
that sounds like Domenic but could be another player. Along
with second guitarist Jimmy Haslip, Domenic is part of the
"core band" for the Katz tracks, and they are joined by
Larry Carlton, Steve Lukather, and Joe Walsh (!) on assorted
cuts. With all these guitarists in the mix, it's hard to
pick out Troiano's playing here. "You Do It" and "Let's Go
Up" both feature Troiano-ish rhythm work, but it's hard
to clearly identify a specific guitarist's part. Ray
Parker, Jr. produced, wrote, and played most of the
instruments on the 6th and 7th track on the album, which
are both a bit more lively than the Katz tunes. The LP
ends with "Girls," a disco number produced by Ross
herself. If you easily pick up subtle differences in
production and minute sonic details, you definitely get a
sense that there's little cohesion here. Overall, the material
on the album is average, and Domenic's prominence is
minimal. Still, if you're a completist, it might be worth
finding.

Rough Trade,
Weapons (True North) -- 1983; sitar
Notes: Sitar on "Paisley Generation"

Johnny Rutledge,
Johnny Rutledge (A&M/Black Market) -- 1991;
production, songwriting, guitar
Notes: Rutledge released 2 singles as "Johnny R." on
A&M/Black Market in 1986 and '87: "Everybody's Baby" and
"Babes in Boyland"
Strange Advance, 2wo (Capitol) -- 1985; guitar
Eighties synth-pop duo, comprised of Darryl Kromm and Drew
Arnott, joined by a handful of guest musicians on their
second album.
The phrase "80s synth-pop" might make you cringe, but this
isn't half bad. As a Troiano fan, my biggest complaint is
that the credits aren't song-specific, and there are seven
musicians credited with "guitar" on the LP. Some of the guitar
parts stand out as classic Troiano (the main riff in the verses
of "I'll Be the One to Cry," the primary guitar in "The Sounds
of Life"), but one can only guess which parts Domenic actually
played. Guitar, in general, is prominent on several tracks,
but overall it's a keyboard-driven album. If you get this
album to hear Domenic, you'll probably be disappointed, but
overall, it's a good album and worth hunting down. The weaker
material is offset by goodies like "We Run" and "Just Like You,"
which approaches Tears for Fears in their prime. There's a
classic pop melody under all those layers of gloss on "Nor
Crystal Tears," which would've been a much more effective closer
if not so overproduced. But doesn't that pretty much sum up
the '80s?
Originally released in January 1985, it was reissued on CD by
Capitol/EMI Canada.

Sweet Blindness,
Energize
(Quality) -- 1977; guitar

Various Artists,
Live at the Bluenote
(Quality) -- 1983; production
Notes: Recorded at the Bluenote Club in Toronto, 25 September
1982; features George Olliver & Gangbuster joined by Shawne
Jackson, Roy Kenner, Wayne St. John, and others; St. John
covers Troiano's "The Outer Limits of My Soul"

Voices With Heart, "I Am Your Child" (single) (Attic) -- 1986;
guitar
Notes: "We Are the World"-type release featuring Chris DeBurgh,
Dan Hill, Steve Howe, K.D. Lang, Justin Hayward, Jane Siberry,
and others; song penned by Barry Manilow and Marty Panzer

Chris Vickery,
Temporary Measures (Indie
Pool) -- 2002; guitar
Notes: Guitar on "Tuff Stuff," "Maybe," and "Tatem"
Richard Wagner, Richard Wagner (Atlantic) -- 1978; guitar
Imagine a less interesting, heavier
Born to Run and you've
imagined
Richard Wagner. On his first solo album, this famed
session guitarist is vocally similar to Mark Farner, who Wagner
produced in 1977. Musically and sonically, this reminds me of Alice
Cooper albums of the same era. Bob Ezrin constructs a wall of
sound here, but that technique only works if you have memorable
songs. Otherwise, the huge sound just enhances the facelessness
of the material. Whitey Glan and Prakash John are here; they're unrecognizable, though. Compared to Bush, this stuff plods. Dick
is credited with "All solo guitars" while he, Domenic, and Steve
Hunter receive rhythm guitar credits. Troiano and his signature
style are unidentifyable on all tracks save for "Nightwork," an
R&B-influenced number which is really the only thing close to
resembling any of Domenic's music. It could be the only track
he played on. "Go Down Together" begins with a hot solo by
Wagner, "Some Things Go on Forever" is pleasant, and the horns
on "Motor City Showdown" are fine. Other than that, there's not
much to recommend here.

Rick Worrall,
When Love is Right (Hummer) -- 1999;
guitar
Sessions

Donald Fagen,
The Nightfly (Warner Bros.) -- 1982;
guitar (unused on final recording)

Etta James,
Etta James (Chess) -- 1973;
guitar (unused on final recording)
Film and television score
credits (in alphabetical
order by title)
Made-for-TV movies and feature
films
All Around the Town (PAX) -- made-for-TV movie; 2002
The Gunfighters (Tribune/Global) -- made-for-TV movie; 1987
Haven't We Met Before? (PAX) -- made-for-TV movie; 2002
Let Me Call You Sweetheart (Family) -- made-for-TV movie; 1997
Loves Music, Loves to Dance (PAX) -- made-for-TV movie; 2001
Lucky Day (PAX) -- made-for-TV movie; 2002
The Mary Kay Letourneau Story: All-American Girl
(USA Network) -- made-for-TV movie; 2000
Moonlight Becomes You (Family) -- made-for-TV movie; 1998
Pretend You Don't See Her (PAX) -- made-for-TV movie; 2002
Remember Me (CBS/MOW) -- made-for-TV movie; 1995
The Swordsman -- feature film; SC Entertainment International; 1993
While My Pretty One
Sleeps (Family) -- made-for-TV movie; 1997
Television series and specials
Adventure, Inc. (Tribune) -- 22 1 hr. episodes; 2002-2003
Airwaves (CBC) -- 13 1/2 hr. episodes; 1985-1987
Cop Talk (Tribune) -- 2 1 hr. episodes
Counterstrike (USA Network) -- 66 episodes; 1990-1993
Diamonds (CBS/USA Network/Global) -- 44 1 hr. episodes; 1987-1989
Hot Shots (CBS/CTV) -- 13 1 hr. episodes; 1986-1987
Judgement Day: Should the Guilty Go Free
(HBO) -- 1 hr. special; 2003
Juvenile Justice -- 75 1/2 hr. episodes
Lifetime (CTV) -- 400 1 hr. episodes; 1985-1988
Moment of Truth (CBS) -- 1 1/2 hr. episode
Night Heat (CBS/CTV) -- 96 1 hr. episodes; 1985-1989
The Playground (HBO) -- 1 1/2 hr. episode
Police File (ABC) -- 1 1/2 hr. episode; 1994
Scandals (HBO/First Choice) -- 1 hr. special; 1988
Secret Service (NBC) -- 22 episodes; 1992-1993
The Soulmates in "The Gift of Light" -- 1/2 hr. animated
special; 1991
Top Cops (CBS) -- 105 episodes; 1990-1993
True Blue (NBC) -- 13 episodes; 1989-1990
Other credits
Death by Dawn -- co-producer; feature film; Big
Star Motion Pictures; 1998 (project never
completed)
Fahrenheit -- Sega Interactive CD-ROM; 1995
Gemini Awards (CBC) -- musical director; 1987
Juno Awards (CBC) -- musical director; 1988
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