The Joke's on Me (Capitol, SW 11772)
- The Joke's on Me (Troiano) 3:50
- Maybe the Next Time (Troiano) 4:24
- Spud (Troiano) 3:48
- Here Before My Time (Troiano) 4:25
- Eleanora Fagan (Troiano) 7:04
- Road to Hell (Troiano) 6:25
- War Zone (Troiano) 9:13
- Look Up (Troiano) 7:08
Produced by Terry Brown
Engineered by Mike Jones
Recorded at Sounds Interchange, Toronto

In the
music world, the inability to clearly categorize an
album usually decreases its mass appeal. In other
words, musical creativity doesn't sell records. As
a result, loads of great "not quite this, not quite
that" albums have been quietly forgotten. This is
one of them.
Domenic is pictured on the
back cover of the sleeve with his bandmates surrounding him. With a
bright light shining behind him casting a stellar shadow, he
resembles a God-like figure. Some of the music on this
album is indeed heavenly. This is my Troiano desert island album and
definitely one of my all-time favorites. The songs here are
strong and the band is excellent. Terry Brown's production
is relatively sparse, but two keyboardists are used
(
only in the '70s!). Some of the keyboard tones
are pleasant, but others sound dated by today's standards.
Nonetheless, the material and Domenic's guitar playing
completely make up for that flaw.
The album opens on an ominous note with the title track,
a nightmarish tune with a droning synth to
enhance the mood. Dom plays
some great licks in the song's breaks. "Maybe
the Next Time," a light, jazz-rock tune, has 1978
written all over it. If it were sung by Donald Fagen,
it would have been a Steely Dan hit.
The third track, "Spud," is a laid-back
instrumental with some neat, jazzy guitar runs. "Here
Before My Time" is one of Domenic's best songs, a
quiet ballad with intelligent
lyrics. I'm not sure if Dom meant for the song
to be autobiographical, but I believe it is ("I'm tryin'
to get by in a world that seems so blind, I'm here
before my time, or am I last in line?").
Here's where the album goes from really good
to incredible. The last song
on side one, a seven-minute instrumental called
"Eleanora Fagan," just might be my favorite Troiano song.
Simply put, it's better than most songs you've heard.
It quietly begins with an
slow, elegant guitar line. Gradually, drums and layers of
keyboards enter and give the melody more depth and
emotion. Domenic's guitar playing in the third
verse is stunning; he is a musician who can stir
up the listener's emotions through his playing
alone. Just as you're about
to burst into tears as the band reaches a
crescendo, the instruments quickly
fade, only to slowly build once again for the grand
finale. Find this very out-of-print album just
to hear this song. You won't be disappointed.
(Who is Eleanora Fagan? Billie Holiday.)
Side two consists of three songs which are essentially one
long piece. The result is arguably
Troiano's masterpiece. The idea to link the songs
together and create a side-long epic was
brilliant. "Road to Hell" is a
tough rock song with touches of jazz and funk played in
a very strange time. A diabolical choir invades the
song's finale, and it starts to sound like
you've actually entered hell. That's when you're
dropped off into the "War Zone." It truly is
the sonic equivalent of a battlefield. The length,
nearly 10 minutes, adds to the effect. After an
instrumental introduction, the song sounds pretty
normal, with a couple verses and a chorus which
includes a synthesizer that sounds like a car
alarm. The lengthy middle section includes instrumental
solos, creepy keyboard sounds, and weird vocal
effects. Near the end of the song, you begin to
wonder if you'll ever see the light of day again.
Just when you think there's no escape, the song
segues into "Look Up," an absolutely ethereal
piece of music. This is aural utopia. The song is
a thoughtful and heartfelt ballad about turning to a higher power
when things are bad. Yes, artists other than
Christian performers can sing about faith and do it
well. I think Domenic deserves a lot of respect for
that alone.
Why critics and the public didn't pay more attention
to this album is
a mystery to me.
The Joke's on Me is Troiano's most
unified album, in terms of musical style, delivery and
concept. Dom wrote all of the songs on the album and he sings
all of the lead vocals. You can find some of his best guitar
work here, too. Troiano's heart and soul really come
through in the album's words and music, especially
on "Eleanora Fagan" and "Look Up". And can you
name a balding rocker besides Domenic who would
bare his head proudly on an album
cover? It all adds up to music and an artist that is
real, someone who isn't caught in the machinery of
the music business. All of these reasons are why
I think this is his best album; you really can't
go wrong here. If you can find a used copy of it,
consider yourself lucky.
SOLO DISCOGRAPHY
Domenic Troiano |
Tricky |
Burnin' at the Stake |
The Joke's on Me |
Fret Fever
HOME
Biography |
Discography
Solo |
Bands |
Credits
Articles |
Pictures |
Interviews
Resources |
Tribute